“The success of Brooks’ most recent works depends on the relationships he creates between different figures in the paintings; between figures and objects; between figures and place. These relationships provide a vessel into which the viewer brings their understanding of time and hierarchy of value in regard to each of the particular relationships”
—Kate Carter
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Nauset Light
30×40 in
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Calvin
20×24 in
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Lunch by the Bay
24×36 in
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Amusement
35.5×49 in
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Summit House
24×30 in
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View of Northampton from Skinner Mountain
30×40 in
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Size Matters
36×60 in
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Max’s Favorite
24×30 in
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After the Beach
36×48 in
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Lunch at the Beach
18×24 in
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Showers
28×36 in
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Queen Anne’s Lace
60×40 in
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Summer Job
24×24 in
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Lovers
9×12 in
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Fragile Existence
24×36 in
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Cottage
18×24 in
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Moonlight
28×39 in
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The Lonely Bull
9×12 in
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Stealing Her Wind
30×40 in
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Reservations
47×60 in
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Sushi
39×30 in
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Midnight Oil
39×70 in
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Maki
30×25 in
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Sushi Special
29×25 in
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Red Towel
45×90 in
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Princess
40×53 in
