My work is always figurative, with a distinct psychological edge. I am intrigued by the very tenuous balance of conscious and unconscious, the conjunction of dreaming and waking states. Many of my paintings take place at twilight or dawn – the most ambiguous times of day, when even the sky is ambivalent about its intentions and the improbable becomes possible. My most recent work, an exploration of the cusp of adolescence and the nature of personal relationships, is both more introspective and less overtly dreamlike than the imagery that has preoccupied me for the last twenty years.
The heightened emotional state of each work gives them an almost prescient quality. There is a sense that something is either in the middle of happening or is about to happen. My paintings are suggestive of feelings that we are familiar with, images that are part of our collective unconscious. The underlying narratives describe our dreams and memories.
I anchor my paintings in the places I know best. I grew up in New England near the ocean, and I have a special predilection for the clear light, sand dunes and salt marshes of islands and the seashore. Much of my adult life has been spent in western Massachusetts, so my work also often includes the rolling hills and sinuous waterways of the Pioneer Valley.